| I Saw the Sun | |
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Theatrical poster |
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| Directed by | Mahsun Kırmızıgül |
| Produced by | Murat Tokat |
| Written by | Mahsun Kırmızıgül |
| Starring | Mahsun Kırmızıgül Demet Evgar Altan Erkekli |
| Cinematography | Soykut Turan |
| Release date(s) | 13 March 2009 |
| Running time | 120 minutes |
| Country | Turkey |
| Language | Turkish |
| Budget | US$6 million |
I Saw the Sun (Turkish: Güneşi Gördüm) is a 2009 Turkish drama film, written and directed by Mahsun Kırmızıgül, which tells of a Kurdish family who are forced from their village in southeastern Turkey by the conflict there. The film, which was released on 13 March 2009, was one of the highest grossing Turkish films of 2009, prompting its re-release on 18 September 2009. The film was Turkey's official submission for the Academy Award for Best Foreign Language Film at the 82nd Academy Awards, but it was not nominated.[1]
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Writer-director Mahsun Kırmızıgül has stated that the screenplay was inspired by the story of a man he met during the filming of his debut film The White Angel (Turkish: Beyaz Melek), whose 21-member family had to abandon their village around 15 years previously. I was overwhelmed by what he told me. As I am a native of that region myself, I thought I would recount the story in the way it deserves. I hope everyone gets the right message from the film, Kırmızıgül said. Those who watch this film will see that nothing can be solved through hatred. My aim is to stop the bloodshed by boosting Turkish-Kurdish fellowship. This film will delve more strongly into the concepts of brotherhood and unity. We have to love each other without prejudice because nothing can be solved with hatred.[2]
Veteran screen actor Cezmi Baskın, who has a minor role in the film, stated Mahsun has a rising momentum in [Turkish] cinema. He is a professional and his communication with the actors was excellent. I believe he filmed the story he wanted to tell in the best way he could.[3]
The film tells of a Kurdish family who head to İstanbul from their village in southeastern Turkey. Part of the family tries to emigrate to Norway.
The film premiered at a special gala screening at the AFM İstinye Park Cinema in Istanbul on 8 March 2009 at which, according to writer-director Mahsun Kırmızıgül, the audience reflected the emotion in the film.[4]
A second special gala screening was held at Panora Cinema in Ankara on 10 March 2009 attended by a number of high-profile guests, including Turkish State Minister and Deputy Prime Minister Cemil Çiçek, who said the film aptly portrays the pain and anguish Turkey has suffered in the last 25 years and includes some very accurate messages, and Turkish Culture and Tourism Minister Ertuğrul Günay, who said the very bold and realistic film showed Turkey’s wounds in all its reality and proposed big steps to be taken to heal those wounds.[5]
At the film’s premiere in Istanbul Kırmızıgül said, I hope the message of our film reaches the public as quickly as possible, at the following screening in Ankara he said, Message transmitted.[5]
The film opened on nationwide general release in 355 screens across Turkey on 13 March 2009 at number one in the Turkish box-office with a first weekend gross of US$2,539,362. The film was re-released in 31 screens across Turkey on 18 September 2009 with little success.[6][7][8]
The film was at number one in the Turkish box office charts for 5 weeks of its 11 week run and was the third highest-grossing Turkish film of 2009 with a total gross of US$12,812,281.[6]
[The film] is illustrated as an ambitious melodramatic epic through its many subplots and ensemble cast, according to Today's Zaman reviewer Ermine Yıldırım, which actually works in achieving its goal of spreading a thing or two about humanity and unconditional fraternity, even though there's ample force-feeding through its languorous monologues of micro-politics. Nevertheless, Kırmızıgül's message cannot go unnoticed as he continually underlines the importance of different segments of society living in harmony and the ideal that the state is not a divider but a caregiver. Kırmızıgül might not be a great filmmaker, Yıldırım concludes, but he is on his way to becoming a true philanthropist.[8]
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